In my head, 446 and 447 are connected. This is a scary story.
(But I love the image of the scribbling shadows.)
Thank you. I love the idea of the two making a scary story. Then if I add the third, it seems to me that now I'[m asking for the meaning of why I feel this way. The SNippets do some odd things at times but they always seem to have something interesting to say and always more than I originally thought when I glue down the words. How they do that…???
It’s like the Oracle, I suppose. 🙂
The Snippets certainly do have their own agenda, that is for sure.
You have to admire that!
My brain once again insisted on making a connection between all three poems: the silent strangers wander along what was a deserted street and, in doing so, disrupt the pattern and shapes of the shadows. I love the idea of the shadows being marks made on the street. I am thinking of charcoal lines and smudges.
Thank you. I like how these line up together too and also that it’s completely random. Or not? I don’t know, that’s the best part, maybe.
In my head, 446 and 447 are connected. This is a scary story.
(But I love the image of the scribbling shadows.)
Thank you. I love the idea of the two making a scary story. Then if I add the third, it seems to me that now I'[m asking for the meaning of why I feel this way. The SNippets do some odd things at times but they always seem to have something interesting to say and always more than I originally thought when I glue down the words. How they do that…???
It’s like the Oracle, I suppose. 🙂
The Snippets certainly do have their own agenda, that is for sure.
You have to admire that!
My brain once again insisted on making a connection between all three poems: the silent strangers wander along what was a deserted street and, in doing so, disrupt the pattern and shapes of the shadows. I love the idea of the shadows being marks made on the street. I am thinking of charcoal lines and smudges.
Thank you. I like how these line up together too and also that it’s completely random. Or not? I don’t know, that’s the best part, maybe.