On Saturday, January 15, I read the poems of a couple of my blog friends – they posted “magnetic poetry”, something they do every week. I don’t try often myself but this week the idea hit me and I dove in.
If you want to know what magnetic poetry is, look here.
And to read the poems of my blog friends,
I didn’t do quite the same thing as they did in using the allocated vocabulary – instead, I came up with fragments of lines and parts of ideas. Here are my “worksheets”:




Later I took the words, added, subtracted, and came up with the following poems. Take a look and see what you think.
*******
Tanka 287.
the old owl flew home
under a winter night sky
that’s just fixing to
snow like nobody’s business
go home now go home get home
1/16/22
Haiku 959.
see if you can still
smell that drunk lazy summer
in my rusty sweat
1/17/22
Haiku 960.
scream in a red dress:
my woman blood boils over
scalds you head to toe
1/17/22
Haiku 961.
a mild heart incensed:
rage-delirious boiled milk
in a sealed tin can
1/17/22
Merril & Jane Dougherty will do this, use the words for inspiration and “fill in the blanks.”
I was not sure, I’ve seen them work in different ways, thank you for clarifying. I think the process reminds me of doing Snippets, but in them I try to stay with the exact phrases or words. Here I find the magnets kind of jog my mind in a direction. I like that, it was fun to do these.
Thank you for the shout out. Ken, is correct. I use the Oracle for inspiration–I may use some words or synonyms, but then I fill in from there.
We just watched a new version of Macbeth, and your second one makes me think of Lady Macbeth.
I’m glad you told me this, I did not know it. Now I have a better understanding of why you call it the Oracle! I am intrigued by the Lady Macbeth idea. I will be thinking about this.
I think Jane started calling it the Oracle first?
Yes, the tiles don’t really change, so we have an understanding.
Oh, I hope you go with the Lady Macbeth idea!
I love the way you jumbled and transitioned them. (K)